Week in Review: September 18-24, 2024

Black and white close up image of the back of the head of a bass guitar

Each week, I have been summarizing my adventures in making music. Lately, I have been composing tracks for the Disquiet Junto, the Naviar Records Haiku Music Challenge and, this year for the first time, Weekly Beats. I also have other projects and collaborations I have shared occasionally. This blog primarily contains slightly annotated posts originally found on Mastodon.


After a late upload last week, I am back on track and getting this one up early on Sunday. I had fun working in 7/4 and 5/4 last week, so I started this track in 5/4 and stuck with it. I gathered most of the samples from BandLab Sounds and imported them into Ableton Note on my phone. I did a little sample manipulation on my iPad, but if I am going to chop up a sample, I would much rather do it using a Simpler in the full Ableton DAW and playing the slices on a MIDI controller. In this case, I waited to chop up the vocals until I was in front of my Push 2. Normally, I only use vocal samples to create nonsense, one-syllable percussive elements. I cannot recall the last time I left vocals in that sound like actual words and phrases. It is still nonsense to me. I cannot imagine the context in which someone would say both, "take me down to the ground" and "never hold me back." But it sounds cool.

 

John Wright

John Wright is an independent music artist. A rock drummer and electronic music producer, his solo project is inspired by the driving beats of Detroit-area dance music clubs with organic textures honoring his rock band roots.

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